Blue Banana

Why Good Graphic Design Is About More Than Making Things Look Good

 

A design can be beautifully produced, technically perfect and completely on trend — and still fail to do its job.

That might sound strange, particularly when so much of graphic design is judged by what we see. But good design has never simply been about appearance.
It is about communication.

As designers, we work with colour, typography, imagery, shape, space and layout every day. The real skill comes from understanding how those elements work together to communicate something to another person.

  • What will they notice first?
  • What will they understand?
  • What will they feel?

And, perhaps most importantly, will they understand the message we were actually trying to send?

This is where graphic design starts to become something much deeper.

Looking good is only part of the job

There is nothing wrong with creating something visually attractive. Of course we want our work to look good. The problem comes when appearance becomes the only consideration.

A designer might choose a typeface because it is fashionable, use a colour because they personally like it or follow a particular layout because they have seen something similar online.

But every one of those decisions communicates something.
Typography has a voice.

Colour creates associations.
Images can change the entire meaning of a message.

The way information is organised can determine whether somebody understands it immediately or has to struggle to work out what is going on.

These aren't simply decorative choices. They are communication decisions.

And the more we understand those decisions, the stronger we become as designers.

 

Bauhaus Layouts

Design for somebody, not just yourself

One of the biggest changes a developing designer can make is to stop asking:

“Do I like this?”

and start asking:

“Will this communicate effectively with the people it is meant for?”

Those are two very different questions.

As professional designers, we aren't normally designing for ourselves. We are designing for a client, an organisation, a product, a service or an audience.

That means understanding who those people are becomes an important part of the creative process.

Something designed for a children's organisation will communicate differently from something created for a financial company.

A campaign aimed at teenagers may need a very different visual language from one aimed at senior business leaders.

There is no single visual answer that works for everybody.

That's one of the things that makes design so interesting.

 

The meaning behind what we see

Visual Communication also brings us into areas such as semiotics, the study of signs, symbols, and the meanings people attach to them.
You don't need to turn into an academic to understand why this matters.

We see symbols constantly.

A shape, colour, photograph or icon can communicate an idea before somebody has read a single word.
Sometimes those meanings are obvious. Sometimes they are influenced by culture, experience or context.

A skilled designer learns to become more aware of this.
Instead of simply placing an image because it looks attractive, they begin asking what that image actually says.

Instead of selecting a colour because it fits the current trend, they consider what that colour communicates within that particular project.

That change in thinking can completely change the way you approach design.

Your creative process matters

Our Visual Communication Specialist Level 4 course was developed for graphic designers who want to explore this side of the profession in much greater depth.
We look at effective visual communication, design for communication, semiotics, creative process, typography, colour, page layout, design styles, brand identity and other areas that help designers become stronger visual communicators.

But studying these subjects isn't enough on its own. You need to use them. That is why the course is built around projects and assignments, with students working alongside their one-to-one course tutor/professional design coach.
You learn by doing, reviewing, questioning and developing.
Because ultimately, the aim isn't simply to know more about graphic design.

It is to become better at doing it.
Your portfolio, your ideas, your ability to communicate and your ability to solve design problems creatively will always say a great deal about you as a designer.
So the next time you look at one of your designs, don't only ask yourself whether it looks good.

 

Ask yourself something more important:

What is it communicating?

Discover Visual Communication Specialist Level 4

If you already have graphic design experience and want to develop your communication, creativity and individual approach further, take a closer look at our Visual Communication Specialist Level 4 course.

 

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